For the first time in Vienna, OstLicht Gallery presented a large selection of works by van Meene. Born in the Netherlands in 1972, the artist has become known for her photographs of adolescents that radiate a quiet and powerful beauty. Girls lost between childhood and adulthood – a time of often painfully experienced changing bodies and stormy emotions – who are torn between the need for security and the desire for freedom. The artist’s photographs have already been exhibited in institutions such as the Art Institute of Chicago, the Van Gogh Museum in Amsterdam and the Museum Folkwang in Essen.
Hellen van Meene’s portraits are marked by a sympathetic cooperation between the photographer and the models, who are not professionals but were found by the artist at home in Netherlands or during her journeys to England, Lithuania or Russia. The pictures tell about the insecure, transitory nature of youthful identity and act as a form of homage to the emotional vulnerability and psychological complexity of youth.
Besides the portraits of girls, the newly produced photos of dogs were on show. Even though the animals selected appear to be naturally talented posers, the images are reminiscent of staged shots of classical studio portrait photography. Not only does the combination of dog and girl on van Meene’s pictures evoke well-known motifs from art history – such as Las Meninas by Diego Velasquez or Thomas Gainsborough’s Cottage Girl with Dog and Pitcher – it also plays with the dialectics of familiarity and distance, protection and weakness and the boundaries between human and animal.
Curated by Gerald A. Matt
IMPRESSIONS FROM THE OPENING